Jo Smail


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Thread Lines - Feb 2025



Sanford Biggers, Claire Campbell Park, Sonya Clark, Liliana Porter, Soledad Salamé, Joyce J. Scott, Elizabeth Talford Scott, Alan Shields, Jo Smail, and Paula Wilson


Curated by Amy Raehse

February 8 - March 10, 2025, at Goya Contemporary Gallery

Reception: February 22 from 5pm-7pm

Thread Lines is an exhibition that showcases the work of contemporary artists who integrate sewing techniques and fibers into a wide range of artistic forms, from drawings and paintings to prints, wall hangings, and sculptures. The exhibition explores the emotional depth capable within a single thread, blending traditional methods with innovative approaches of using thread to examine the symbolic ties that connect individuals and communities.



From artblog by Susan Issacs

...."Other artists in the exhibition display more abstractly conceived approaches to the theme of thread lines. Jo Smail’s “Painting with Topknot” (2009) and “Virtuoso Fingers” (2011) are extremely appealing. Born in South Africa, she has been Baltimore-based since 1985. Smail has an international resume but is perhaps more well known in Baltimore than Philadelphia as she taught at the Maryland Institute College of Art. Her understanding of abstract composition and whimsy is on view.


In Smail’s “Virtuoso Fingers”, canvas – a woven textile – is shown off with painted and collaged elements sparsely and superbly placed. Loose threads unravel from another strip of partially painted canvas. Collage elements with black and white lines echo thread lines. A pink- and black-painted rectangle creates an asymmetrical balance. Smail creates spaces that are at once teetering and balanced, expansive and intimate."....


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Around The Table - Sept 2024



Shared Experiences
Open Conversations
Coming Together

On View September 27- December 8, 2024 de la Cruz Gallery at Georgetown University. 3535 Prospect St. NW Washington, DC 20007

Around the Table is guest curated by Dr. Vesela Sretenović and presents emblematic works by Suzanne Lacy, Valeska Soares, Jo Smail, and Michael Rakowitz new commissions by Jennifer Wen Ma, Helen Zughaib, Adam Silverman, and Monsieur Zohore and social convenings by Philippa Pham Hughes.


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The Armory Show - Sept 2023



Presenting works by


JO SMAIL JOYCE

J. SCOTT


September 7-10, 2023

Javits Center, 429 11th Avenue, New York, NY 10001

Booth F22


VIP Preview Day (Invitation Only):

Thursday, September 7th


Open to the Public:

Friday, September 8, 11am-7pm

Saturday, September 9, 11am-7pm

Sunday, September 10, 11am-6pm




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The Trawick Prize 20th Anniversary EMERALD AWARD - Feb 2023



The Trawick Prize is a regional contemporary art award that began in 2002 to recognize and support local DC, Maryland, and Virginia artists...

The exhibition features artists working in a variety of media including sculpture, painting, mixed media, film, and more. Works from artists such as Neil Feather, Jiha Moon, Jo Smail, and many others will be displayed in the galleries. Themes span a range of concepts important to each artist from race, oppression, and genealogy to culture, humanity, and emotion to name a few.


Opening Reception and Award Program, February 4, 2023, 5-6 pm Exhibit open for viewing 6-9 pm

AMERICAN UNIVERSITY MUSEUM AT THE KATZEN ARTS CENTER




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BMOREART - Oct 2022




Goofy Gravity and Weighty Gravitas: Jo Smail at Goya Contemporary Smail's new exhibit is equal parts blended diversity and congruous incongruity.


October 24, 2022

Words: Barry Nemett

Photography: Joseph Hyde








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If All the World were a Blackbird - Sept 2022




Goya Contemporary, Mill Centre Studio 214, 3000 Chestnut Avenue Baltimore, Maryland 21211


Opening Reception 21 September 2022 from 6-8pm








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BMOREART- May 2022



Sitting in Uncertainty Review of 'Fields and Formations: A Survey of Mid-Atlantic Abstraction' at the Katzen Arts Center

....

Textural investigation is central to Jo Smail’s work in the next room. Two of her larger pieces engage layers of her life experiences and personal/historical background through physically layering fabric and paint. In the shaped painting Totem in Three Parts, which rests on the wall at the height of a person, the South African-born artist addresses the complexities of her lineage with a curved teardrop of black paint atop ornate red, black, and white African fabric on carved wood and fiberboard. In Black Egg Hatches, her textile stories feature organic black circles infiltrating black and yellow fabrics patterned with flowers and organized diamond shapes and lines, creating tension between organic forms overtaken by more rigid ones.

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ARTBLOG - Dec 2021



Powerful show of art by women and non-binary artists working in the region today, at the Delaware Contemporary


....

Jo Smail, another extremely well-known artist with a decades-long career, is represented by several complex works created with acrylic and fabric on canvas or board. Her abstractions are often autobiographical with references to her homeland, South Africa, and various life events from a studio fire to a stroke. Early in her career she came under the influence of American Color Field painting, and she remains fascinated by color and shape. Her works prove that abstraction can have content. Smail moved to Maryland to teach in 1985, and her impact on artists there has been important.

........


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FIELDS AND FORMATIONS - Sept 2021 - May 2022




A Survey of Mid-Atlantic Abstraction

Curated by Kristen Hileman


The Delaware Contemporary, Wilmington, DE

September 3, 2021 – January 7, 2022


The American University Museum at the Katzen Art Center, Washington, DC

January 29, 2022 – May 22, 2022


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Baltimore magazine - November 2020



Jo Smail’s Visual Poetry Transforms Loss Into Joy


A BMA retrospective celebrates Baltimore’s most resilient, genre-busting visual artist.



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The Baltimore Sun - September 2020



2020 Fall Arts Preview - Baltimore Museum of Art



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Bmore Art - September 2020



Jo Smail's Visual Poetry


Artist Jo Smail in conversation with curator Kristen Hileman



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GOYA CONTEMPORARY - September 2020



Studio Visit with Jo Smail



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ARTFORUM - September 2020



Critics' Picks



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THE BROOKLYN RAIL - July 2020



In Conversation: Jo Smail with Louis Block



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BMA - Jo Smail: Flying with Remnant Wings - May 2020



The title of her retrospective comes from one of these newly crafted poems:


A bird says:

Check out those eyes

But he is mistaken

The eyes are painted on the butterfly’s wings

He dives in

And tears at his mistake

The butterfly escapes with remnant wings



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HYPERALLERGIC - May 2020



An Artist as Resilient as She Is Joyous.


Few artists have reinvented themselves in their prime the way Jo Smail has few have had to.


Barry Nemett

May 9, 2020



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Jo Smail: Flying with Remnant Wings Book



Jo Smail "Jo Smail: Flying with Remnant Wings" © 2020


Published in conjunction with the exhibitions "Jo Smail: Flying with Remnant Wings" shown at The Baltimore Museum of Art, March 1 – August 9, 2020 and "Jo Smail: Bees with Sticky Feet" shown at Goya Contemporary, March 18 – August 9, 2020.


This new artist book is 144 pages and features original images, poems, and essays.


Library of Congress Number 2020900771

ISBN: 978-1-7923-3015-5


$65


Click on image to purchase.




Jo Smail Retrospective: Flying with Remnant Wings



The Baltimore Museum of Art

10 Art Museum Drive Baltimore, MD, 21218


1 March 2020 - 3 January 2021

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ArtfixDaily - 6 Feb 2020

Baltimore Museum of Art to Open 10 Shows in March as Part of 2020 Vision Focus on Women Artists

...Jo Smail: Flying with Remnant Wings March 1 – August 9, 2020 South African-born, Baltimore-based artist Jo Smail uses charged colors and abstract forms to convey the strangeness, vulnerability, and complicated beauty of contemporary life. The exhibition features 50 paintings and works on paper by Smail, as well as collages produced with fellow South African artist William Kentridge. The earliest works date to the late 1990s and early 2000s when the artist overcame a studio fire that destroyed all her previous paintings and a stroke that inhibited her movement and speech. Since then, Smail has continued to draw upon her daily experiences alongside a deep engagement with international literature and theory as she experiments with different media and compositional strategies. Her profound and unique works, accompanied by their poetic and irreverent titles, reflect an irrepressible joy and optimism while never shying away from a world always on the brink of destabilization....




Jo Smail: Bees with Sticky Feet



Goya Contemporary, Mill Center, Studio 214, 3000 Chestnut Avenue Baltimore, Maryland 21211


March 18, 2020 - Dec 20, 2020

Opening Reception: Wednesday, March 18, 2020 6pm - 8pm


The smell of oranges cooking filled our home

Little saucers of marmalade

Placed on the windowsills to set

Bees loved them

Bees with sticky feet


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Jo Smail: The Past is Present



Goya Contemporary, Mill Center, Studio 214, 3000 Chestnut Avenue Baltimore, Maryland 21211


September 13, 2017 - November 7, 2017

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Opening Reception: Wednesday, September 13, 2017 6pm - 8pm



Jo Smail & William Kentridge: Dialogue



Goya Contemporary, Mill Center, Studio 214, 3000 Chestnut Avenue Baltimore, Maryland 21211


September 9, 2015 - October 24, 2015

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Opening Reception:Wednesday, September 9, 2015 6pm - 8pm



Jo Smail: Leaning Over the Edge of the Moon



Goya Contemporary, Mill Center, Studio 214, 3000 Chestnut Avenue Baltimore, Maryland 21211


November 20, 2014 - February, 20 2015

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Opening Reception: Thursday, November 20, 2014 6pm - 8pm



Jo Smail: Degrees of Absence



Goya Contemporary, Mill Center, Studio 214 3000 Chestnut Avenue Baltimore, Maryland 21211


November 18, 2011 - February 21, 2012


Opening Reception: Friday, November 18th, 6pm - 8pm



Jo Smail: Waking Up from the Inside Out



"Waking Up from The Inside Out, 1998-2009" - A book on Smail's work with essays by Terence Malloon and Karen Wilken